Theodore Finch leans against an SUV, hands in pockets, like he has all the time in the world and he expects me. I think of the Virginia Woolf lines, the ones from The Waves: Pale, with dark hair, the one who is coming is melancholy, romantic. And I am arch and fluent and capricious; for he is melancholy, he is romantic. He is here. ― Jennifer Niven, All the Bright Places

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Theodore Finch leans against an SUV, hands in pockets, like he has all the time in the world and he expects me. I think of the Virginia Woolf lines, the ones from The Waves: Pale, with dark hair, the one who is coming is melancholy, romantic. And I am arch and fluent and capricious; for he is melancholy, he is romantic. He is here.
― Jennifer Niven,
All the Bright Places
Theodore Finch leans against an SUV, hands in pockets, like he has all the time in the world and he expects me. I think of the Virginia Woolf lines, the ones from The Waves: Pale, with dark hair, the one who is coming is melancholy, romantic. And I am arch and fluent and capricious; for he is melancholy, he is romantic. He is here. ― Jennifer Niven, All the Bright Places

Theodore Finch leans against an SUV, hands in pockets, like he has all the time in the world and he expects me. I think of the Virginia Woolf lines, the ones from The Waves: Pale, with dark hair, the one who is coming is melancholy, romantic. And I am arch and fluent and capricious; for he is melancholy, he is romantic. He is here.
― Jennifer Niven,

All the Bright Places

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